HAUNTED MACHINES
ABOUT – LIBRARY – CONTACT – PRESSConditional Values (Panel 2020) – What if Our World is Their Heaven? (Workshop 2020) – Designing an Ecological Alexa (Workshop 2019) – Histories and Myths of the 21st Century Home (Panel 2019) – Deep Fakes or Rendering the Truth, IMPAKT (Panel 2018) – Deep Fakes or Rendering The Truth, Ars Electronica (Panel 2018) – IMPAKT 2017: Haunted Machines and Wicked Problems (Festival 2017) –
As of 2014, 75% of IKEA images are renders. Visual culture is almost entirely computationally produced which has significant consequences for our ability to examine and understand it.
Lauren Alexander
Eliot Higgins
Leonhard Lass
Simone Niquille
This event is a continuation of a series examining the relationship between digital image production and notions of truth in the contemporary age. As increasing amounts of images are computationally produced, edited and disseminated there are significant consequences for our ability to interpret meaning and truth from them. This panel explored the nature of truth in image production from forensic and evidentiary stand points to critical and creative enquiry. The lineup included Tobias Revell, Lauren Alexander of Foundland, Leonhard Lass, Simone Niquille and Eliot Higgins of Bellingcat.
Tobias RevellLauren Alexander
Eliot Higgins
Leonhard Lass
Simone Niquille