As of 2014, 75% of IKEA images are renders. Visual culture is almost entirely computationally produced which has significant consequences for our ability to examine and understand it. 

This event is a continuation of a series examining the relationship between digital image production and notions of truth in the contemporary age. As increasing amounts of images are computationally produced, edited and disseminated there are significant consequences for our ability to interpret meaning and truth from them. This panel explored the nature of truth in image production from forensic and evidentiary stand points to critical and creative enquiry. The lineup included Tobias Revell, Lauren Alexander of Foundland, Leonhard LassSimone Niquille and Eliot Higgins of Bellingcat

Tobias Revell

Lauren Alexander

Eliot Higgins

Leonhard Lass

Simone Niquille

Mark

HAUNTED MACHINES


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Computing the Real (Talk 2022) – Haunted Machines at Talk To Me (Talk 2021) - Conditional Values (Panel 2020)What if Our World is Their Heaven? (Workshop 2020)Designing an Ecological Alexa (Workshop 2019) –  Histories and Myths of the 21st Century Home (Panel 2019)Deep Fakes or Rendering the Truth, IMPAKT (Panel 2018) – Deep Fakes or Rendering The Truth, Ars Electronica  (Panel 2018) – IMPAKT 2017: Haunted Machines and Wicked Problems (Curation 2017)The Hermetic Machine (Talk 2017)Accursed Creator (Panel 2017) Bot Like Me (Talk 2017) – Alchemy (Project 2016) Uninvited Guests (Talk 2016)It Came Through The Seams! (Talk 2016) – Scrycasts 1.0 (Project 2015-17) Haunted Machines (Festival 2015)Haunted Machines (Talk 2014)